![]() The exhibition Jasper Johns: Work Since 1974, held at the Philadelphia Museum of Art in 1989 (and first. Accompanying “mirroring” exhibitions held simultaneously at the Whitney Museum of American Art and the Philadelphia Museum of Art, this lavishly illustrated volume features a selection of rarely published works along with never-before-published archival content and is full of revelations that allow us to engage with and understand the artist’s rich and varied body of work in new and meaningful ways. Finally, one must simply drop the reserve.1. The various themes are further explored in a series of in-depth plate sections that combine prints, drawings, paintings, and sculptures to draw new connections in Johns’s vast output. These include Carroll Dunham on nightmares, Ruth Fine on monotypes and working proofs, Michio Hayashi on Japan, Terrance Hayes on flags, and Colm Toíbín on dreams, among many others. Inspired by the artist’s long-standing fascination with mirroring and doubles, this book provides an original and exciting perspective on Johns’s work and its continued relevance.Ī diverse group of curators, academics, artists, and writers offer a series of essays-including many paired texts-that consider aspects of the artist’s work such as recurring motifs, explorations of place, and use of a wide array of media. Over the past 65 years, he has produced a radical and varied body of work marked by constant reinvention. 1930) is one of the most influential artists living today. 24.Jasper Johns: Mind/Mirror quantity Add to cart Jasper Johns- Mind/Mirror, Yale University Press, 2020, p. Some Notes on Jasper John’s European Reception, 1958-1964. ![]() Wall Street Journal, Photo Archive, Feb 15,2011. For the fortunate visitor to one or both of these exhibitions of his work, you will see why he was so deserving of this recognition for his lifetime of devotion to the visual arts. Jasper Johns was chosen by President Obama as one of his recipients in 2011 of the National Medal of Freedom. Jasper Johns in his studio, Sharon, Connecticut. Savarin, Monotype, 1982, Whitney Museum collection.Īndy Warhol, Brillo Boxes, 1964. I also see a nod to his peer and friend, Andy Warhol, who made the iconic images of soup cans and Brillo pads such infamous Pop- Art icons during his hey-day. One series shown in both museums is part of a thirty-three-image effort showing his paint brushes in a Savarin coffee can which both curators call a kind of self-portrait of the artist and his tools. Mutt, 1917, Cast porcelain, Philadelphia Museum of Art.Ī more recent photo taken of Johns in his Connecticut studio shows him as a healthy specimen still at work. Jasper Johns, Flashlight, Bronze and Glass, 1979, Collection of the artist. I call this stylistic drift as we can see the Duchamp urinal and the Johns flashlight mounted as works of art instead of utilitarian objects. Johns has had many mentors in the art world such as Marcel Duchamp, one of the masters of the so-called Ashcan School of Art, as his ready-mades, which Johns saw in the Philadelphia Museum of Art collection, show how one artist can mimic the ideas and style of another. Map, Encaustic and collage on canvas, 1963, Collection of Agnes Gund. ![]() Icons like this map painting make him distinctly an American, and as early as age 28 he was chosen to represent the USA in the Venice Biennale International art show. Instead, he weaves a complex choreography of images and ideas forming his own language of color, shape, form and perception. Scholars have called his work transformative as he is not bound to a mode of self-expression nor attempts to capture a landscape. ![]() What I find so fascinating is that Johns works in many forms, with painting, sculpture and works on paper interwoven in both museums. It took five years of planning and organization to launch this massive effort which opened following the pandemic lockdowns. They both concur that Johns lives in the life of his mind, and one museum show attempts to mirror the other – thus their title for both shows, Mind/Mirror. Considered by most art historians and critics as one of the most prolific and influential members of the Modern Art movement, the two curators, Carlos Basualdo at the PMA and Scott Rothkopf at the Whitney, have written lengthy essays in a catalogue that groups his works into chronological chapters and themes. With 500 of his art works at the Whitney and 350 in Philadelphia, every visitor can observe the enormous trajectory of an artist who moved to New York City following college at the University of South Carolina and a brief stay at the Parsons School of Design. Jasper Johns, Three Flags, 1958 Encaustic on Canvas, Whitney Museumīank of America and a multitude of lenders and donors have sponsored two parallel exhibitions in New York and Philadelphia to run in tandem showing the work of Jasper Johns, age 91, who is still working in his studio most days in Sharon, Connecticut. Sharon Lorenzo reviews the simultaneous Jasper John Shows at the Whitney Museum of American Art and the Philadelphia Museum of Art.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |